BEFORE
AFTERI really wanted to put a lot more feeling and expression into my sequence after seeing the animatic I produced (see below). I started out with a few ideas for close ups and editing some of the narrative out for effect and ended up practically redoing the storyboard altogether! Some valuable lessons about project management to be learnt...expect the unexpected kinda sums it up! This is not how I anticipated making progress but it has been a thorough process which gives me much more confidence that the finished article will live up to the terms of the brief. I've given a cartoony feel to the imagery and employed a few comic strip devices (as they did in early 20th century animation) like movement lines to emphasise action. Zooming in has proved an effective way of highlighting important themes. I hope it comes across well cause it's almost impossible to evaluate something you're standing so close to.
This charming little clip illustrates a common experience for cat owners everywhere! The creator has done a terrific job, I think, of expressing the cat's motives and character without slipping into the Disney trap.
Really pleased with the tutorial on CSS in Dreamweaver that Simon gave us yesterday. Crystallized a lot of stuff about designing for the web in a very digestible way. Props! Just found a handy article in a mag called .NET that explains how to scale your page to suit the myriad browser and screen resolution options that are now out there. It uses the idea of setting type in em values and applies it to the other page elements so that when users employ the zoom tool it maintains the columns and box sizes that you have set for the design. Brilliant! This could turn out to be incredibly useful for my brief for Communication Design, From Paper to Screen.
I caught the classic movie "Who Framed Roger Rabbit?" over the christmas break. It's difficult to appreciate sometimes what a ground breaking project it was for the time. There was a choice at the time between Disney cartoons (which seemed to have run out of ideas) and Japanese anime (which was still very new to western viewers) on the big screen and not much else. It was a revolutionary idea to combine cartoons and live action in a feature film and for these reasons (among others) the film was a massive success. On a personal level it's so much fun to watch as they got everything right. The story is fast moving and tense, the characters and dialogue are sparky, the photography is atmospheric and, above all, the marriage of film and animation is magical and brilliantly executed. The movie barely looks dated even 20 years on! The director of animation, Richard Williams, has written a book called "The Animator's Survival Kit..." which I've found invaluable for researching the techniques that help to give character and emotion my own animation attempts. He explains concepts like timing, spacing and weight succinctly and illustrates his arguments with detailed drawings. Personally, I found his break down of keyframing and spacing really useful as he makes it clear that organising your work saves a lot of time and effort in the end. I"m now discovering some superb analysis of emotion and drama and how to introduce it to my own work. The book is an essential practical reference to the techniques used in the industry everyday.
This article in Computer Arts got my attention back in April. It breaks down the process of researching a design project really well and gives plenty of links to useful websites. It's all presented in digestible chunks and I've found it invaluable for initiating inspiration and developing my own ideas.
This is the advert for Zune as it's been trailed in the design rag: Digital Arts. I am sure these are the same men o' war that appear in an advert for Mazda that's on tv now and the pop vid I commented on below. The article says it's stock footage so presumably it's inspired more than one creative recently!